Tuesday, November 29, 2011

A Photo Essay of Onehunga, Auckland

When I moved back to Auckland at the beginning of 2009 I was drawn to live in Onehunga, where I had originally chosen to settle the first time I lived in Auckland. Although I've since migrated to Mount Roskill, I still feel an enormous fondness and nostalgia for the suburb.

Onehunga resides by itself in a sort of counter-universe to the rest of central Auckland, being desirable amongst those in the know, yet not yet gentrified and encroached upon by the sprawl of mud-coloured houses and showy vehicles.

The vestiges of it’s past are abundantly evident in the colonial architecture of the Kauri cottages and villas that tumble down toward the sea, the Harbourmaster’s turreted homestead overlooking the port, turn of the century weatherboard school building, and original bank, library and post office buildings.

To enter the suburb from Royal Oak is a distinct transition from present-day suburbia to a scene from the past. The scoria entrance-arch, water fountain and flower beds of Jellicoe Park, all reek of 1950’s civic style, and seem somehow a passageway or portal (whether deliberately maintained or not) into yesteryear. Same goes for Tin Tacks park, with a gloriously kitsch 1960’s clock tower.

It’s a mile away from the push and thrust of big business and competition, and absolutely absent of snobbery and pretentiousness. A strong sense of community, diversity, and independence is present here, as is a connection to heritage and history. To an ex-Wellingtonian that is a comforting similarity to home.

Not quite South Auckland, but just a bridges-crossing away over the Mangere bridge, Onehunga is the link between the South and the affluent North. The underbelly of low income and unemployment is evident here – graffiti, overcrowded houses and the ‘projects’ (high-rise state housing blocks), the Trident Tavern with it’s dilapidated exterior, pokie machines and trailing stink of smoke and beer. The gangs are missing though, so the streets are safe and violence is rare.

Onehunga will keep on going strong, staying as it is for another decade or so before changes start, and won’t be taken over without a fight.

Small op-shops, second-hand furniture businesses, the RSA, a Workingmen’s Club, jostle with a multitude of imported goods and ethnic shops. Taro and Kava are available at dairies alongside the more ordinary milk and newspapers. One of the best second hand book shops in Auckalnd resides in Onehunga, and some of the best, but little known cafe's.

Buskers, glue sniffers, the residents from community IHC houses mingle with business people and the well-heeled. Bustling, diverse, multi-cultural, bohemian, historic, sometimes chaotic and claustrophobic, a little rough, yet always welcoming, and home.

I love this place and I hope some day to move back. Then I'll stay - find a place to call home, plant a garden, put down roots, stretch out and grow with the suburb.






































Tuesday, July 12, 2011

Fine Art: Hamish Blakely

Who said that nudes were over? The lovely lady in these glorious oil portraits is British artist Hamish Blakely's partner. The beauty of the human form and extraordinary light immediately capture attention and could hold the gaze for many moments of rapturous appreciation.
























Monday, February 7, 2011

Photographs by Sarolta Bán
































Sarolta Ban's surreal photographic manipulations give an evocative, sometimes chilly, sometimes cheering, quality, to images which seem represantative of the questions of life and death confronting the human soul.




Monday, January 17, 2011

"Greetings from the Orient" cards now on sale @ Felt


Yay! After smoothing out the photograph uploading glitch of this morning, my new greeting cards are now up and on sale here at Felt. They feature a hand-painted design of festive Chinese lanterns strung through twiggy pine branches, inspired by vintage Oriental-style wallpaper prints. With Chinese New Year just around the corner they're almost perfectly timed for sending in the snail mail to friends who you may have missed at New Year, which I know I did, but I think the theme is bright and cheerful enough for any time of Year. Enjoy.

Technical glitches

I'm having trouble uploading shots of my 'Greetings from the Orient" cards onto Felt, so I'm posting a picture here until the mysterious glitch is ironed out and my listing is up and running.





Fancy


Don't you think the banner image is cool? I do. It belongs to Fancy design blog, which is a choice lil' blog about sweet stuff designed in NZ, and I'm already a fan of the bold, colourful graphics of their blog layout, and the freshness of the design talent that features in each post. Keep it up Fancy!

Wednesday, January 12, 2011

Greetings from the Orient

One of the Christmas gifts I received this year was a book from my mother, on the history of wallpaper. I was inspired by a 1920's English design for an Oriental-style pattern, encompassing both Chinese and Japanese elements, of pine branches hung with Japanese lanterns. I thought cheerfulness of the design would work well for a greeting card, so I created a water colour illustration based on the pattern. I'm quite pleased with the result. The red globes of the lanterns look very sweet bobbing amongst the twiggy pine branches.